Novo filme de Sutton Hoo corrige os erros do esnobismo arqueológico

Novo filme de Sutton Hoo corrige os erros do esnobismo arqueológico

O novo filme de Sutton Hoo, chamado Escavação, que será lançado na Netflix, vai contar a história real por trás de uma das maiores descobertas arqueológicas da Grã-Bretanha. Ele dramatiza a escavação em Sutton Hoo, na Inglaterra, que mudou nossa compreensão da história da Europa na Idade Média. Ele também abordará uma injustiça de décadas e, finalmente, dará crédito ao arqueólogo amador que estava por trás da descoberta histórica.

O filme se concentra nas descobertas feitas em Sutton Hoo, no leste da Inglaterra, por um arqueólogo autodidata, Basil Brown, que nasceu perto de Ipswich em 1888. Ele havia sido fazendeiro, leiteiro e lenhador antes de conseguir um emprego no Ipswich Museum. Brown era pobre e não tinha educação formal em arqueologia, mas havia feito algumas descobertas históricas importantes nos anos anteriores. Brown era um camponês simples e costumava usar barbante para segurar as calças de trabalho.

Filme de Sutton Hoo conta a história de um gênio excêntrico

Em 1938, uma viúva local chamada Edith Pretty pediu ao Museu Ipswich para escavar cerca de 18 montes em suas terras. Estes eram bem conhecidos dos habitantes locais e foram a fonte de muitas lendas. O museu enviou Brown, que era a única pessoa disponível para investigar o local e mais tarde foi ajudado pelo jardineiro e guarda-caça da Sra. Pretty.

Foto do Mound 2 no site Sutton Hoo. ( CC BY-SA 3.0 )

Brown era um tanto excêntrico e certamente não era um arqueólogo ortodoxo. De acordo com o Daily Mail, “ele cheirava e provava o solo para tentar descobrir o que havia por baixo e era conhecido por dormir sob sebes para se sentir melhor conectado com a terra”. Durante a primeira temporada, ele encontrou um cemitério de navio anglo-saxão saqueado. No entanto, o que ele encontrou em um monte no ano seguinte surpreendeu o mundo.

Barco-enterro anglo-saxão

Brown e seus colegas começaram a trabalhar em um monte com vista para o rio Deben em 1939. O DissMercury relata que “em poucas semanas eles encontraram antigos rebites de ferro. O trabalho do paciente revelou a impressão de um navio anglo-saxão que teria 27 m (85 pés) de comprimento. ” Brown encontrou um cemitério de barco, mas misteriosamente, nenhum resto humano foi encontrado em Sutton Hoo.

Escavação de 1939 do navio funerário, no qual o filme Sutton Hoo é baseado. (Harold John Phillips / )

  • Os magníficos tesouros de Sutton Hoo, o local de descanso final da realeza anglo-saxônica
  • Por que o betume do antigo Oriente Médio foi descoberto em um enterro de barco anglo-saxão em Sutton Hoo, Inglaterra?
  • Palácio real anglo-saxão desenterrado próximo ao famoso cemitério

O navio data do dia 6 º ou cedo 7 º século DC, quando os anglo-saxões estavam estabelecendo reinos na Inglaterra. O barco longo era “maior do que qualquer coisa encontrada antes”, relata o Daily Mail. Dentro do navio, eles encontraram um tesouro, incluindo um capacete ornamentado com uma máscara de metal na forma de um rosto humano.

O capacete anglo-saxão é um dos achados mais importantes de Sutton Hoo. (Nome de usuário único / CC BY-SA 4.0 )

Também descoberto de acordo com o Daily Mail, "foi uma joia com granadas do Sri Lanka, talheres de Bizâncio e potes de banquete de bronze esmaltado". Surpreendentemente, o enterro evitou ser saqueado por ladrões, apesar de pelo menos uma tentativa registrada.

Classe Snobbery

Os jornais britânicos elogiaram as descobertas e seria de se esperar que Brown fosse saudado como um herói. No entanto, a Grã-Bretanha na década de 1930 tinha um sistema de classes rígido e o arqueólogo amador teria sido considerado de classe baixa. Como resultado, Brown foi "marginalizado pelo estabelecimento arqueológico", relata o The Daily Mail.

Charles Phillips, um dos arqueólogos mais importantes da Grã-Bretanha, assumiu o projeto e Brown acabou sendo relegado para a tarefa de limpar a terra. Isso mesmo que o amador tenha conduzido anteriormente uma investigação muito sistemática e metódica dos montes.

No entanto, Brown ainda não recebeu qualquer recompensa ou reconhecimento por seu papel na descoberta dos tesouros anglo-saxões e no enterro do barco. Ele voltou a trabalhar no museu local e seu nome foi escrito fora de todos os relatos desta descoberta notável. Em vez disso, o crédito por seu trabalho foi para outros.

Brown se aposentou em 1961 e continuou a fazer descobertas arqueológicas em sua área local, incluindo uma capela da era normanda.

Corrigindo um Errado

Escavação propõe-se não apenas a contar a história do excêntrico arqueólogo, mas também a consertar o mal feito a Brown, vítima de preconceito de classe. Ralph Fiennes, mais conhecido por A Lista de Schindler , interpretará Brown no filme.

À direita: Ralph Fiennes que interpretará Basil Brown no filme de Sutton Hoo, The Dig. (Dick Thomas Johnson / CC BY 2.0 ) Esquerda: Carey Mulligan, que interpretará Edith Pretty. (Foreign and Commonwealth Office / CC BY 2.0 )

Inicialmente, Nicole Kidman iria interpretar Edith Pretty, mas esse papel agora foi assumido pela aclamada atriz Carey Mulligan. O filme “focará na parceria entre o proprietário de terras e o arqueólogo que primeiro impulsionou a lendária escavação e será um conto de amor, perda e esperança”, de acordo com o DissMercury.

A relação entre Brown e Edith Pretty era excêntrica. É possível que o arqueólogo autodidata fosse autista e a viúva se interessasse pelos montes por causa de sua crença no espiritualismo. O Daily Mail cita Richard Morris, autor de uma nova biografia sobre o homem que encontrou Sutton Hoo, dizendo que "houve fofoca ociosa na aldeia sobre um breve caso de amor entre Brown e Edith, mas não encontrei nenhuma evidência disso." Parecia que o relacionamento deles era baseado em uma paixão compartilhada pelo trabalho em Sutton Hoo.

A verdadeira história de Brown e a descoberta em Sutton Hoo foram publicadas pela primeira vez em um romance de John Preston em 2007. O filme é baseado neste livro. Acredita-se que Escavação será lançado nos próximos meses na Netflix. A maior parte do tesouro encontrado por Brown está em exibição no Museu Britânico.


Por que o Sutton Hoo existe

Por que o Sutton Hoo existe palavra-chave após analisar o sistema lista a lista de palavras-chave relacionadas e a lista de sites com conteúdo relacionado, além disso você pode ver quais palavras-chave mais interessam os clientes neste site


Museu Sutton Hoo

The Royal Burial Ground em Sutton Hoo Explore o atmosférico Royal Burial Ground do século 7 enquanto você descobre a história e o mistério do que existe sob a terra. Atividades para a família e aprendizagem Disponibilizamos algumas de nossas atividades de aprendizagem e para a família online para você aproveitar tanto em casa quanto em Sutton Hoo. A poucos quilômetros da costa de Suffolk, o Sutton Hoo o enterro do navio foi uma das descobertas mais empolgantes da arqueologia britânica, e uma que explodiu profundamente o mito da 'Idade das Trevas'. São dois Sutton Hoo Capacetes na Sala 41, o original e uma réplica mostrando a aparência do original Sutton Hoo ist eine archäologische Ausgrabungsstätte in der Nähe der Stadt Woodbridge, Suffolk, na região de ostenglischen East Anglia. Königreich East Anglia während der frühen Angelsachsen-Periode, mit Sutton Hoo im Südosten nahe der Küste Bergung des Schiffgrabs 193 Home »Museus» Sutton Hoo Esta propriedade assombrosamente bela de 255 acres, com vistas de longo alcance sobre o rio Deben, é o lar de um dos maiores descobertas arqueológicas no norte da Europa. Caminhe pelos antigos túmulos e descubra a incrível história do enterro do navio de um rei anglo-saxão e seus tesouros. O enterro do navio Sutton Hoo está em exibição permanente, durante todo o ano, na Sala 41 do Museu Britânico. Uma pequena exibição de material de arquivo relacionado a Sutton Hoo está agora em exibição na Sala 2, até setembro de 2019, para comemorar o 80º aniversário de sua descoberta. O site de Sutton Hoo é administrado pelo National Trust

Sutton Hoo e o Museu Britânico da Europa

  1. Sutton Hoo é o local de um grupo de túmulos anglo-saxões dos séculos VI e VII. Um dos montes, escavado em 1939, revelou os restos de um navio de madeira de 30 metros de comprimento. O navio era provavelmente o túmulo de um rei anglo-saxão, enterrado com uma riqueza de artefatos do maior significado arqueológico, incluindo tigelas e colheres de prata bizantinas, armas com joias e celtas finos.
  2. O icônico capacete Sutton Hoo foi embrulhado em um pano e colocado próximo ao lado esquerdo da cabeça do morto. É uma peça de arte verdadeiramente deslumbrante, funcional e bonita, com uma tampa abobadada e bochechas profundas. O capacete é coberto por imagens complicadas, incluindo guerreiros que lutam e dançam e criaturas ferozes
  3. Horário de funcionamento em Sutton Hoo. Compartilhe: Twitter Facebook Email Aviso importante - Reabrimos os passeios e o café da propriedade. A Tranmer House, o High Hall, a livraria e a loja estão fechados às quintas e sextas-feiras. Verifique Novidades para obter as informações mais recentes e para reservar com antecedência. Se você não fizer a reserva, não podemos garantir a admissão. Observe. Para evitar decepções, reserve com antecedência.
  4. Parte do cemitério em Sutton Hoo Sutton Hoo da maré de Deben com o monte 2 visível no horizonte acima da fazenda Sutton Hoo, em Sutton perto de Woodbridge, em Suffolk, Inglaterra, é o local de dois cemitérios medievais primitivos, do século 6 e / ou séculos 7, respectivamente. A área foi escavada por arqueólogos desde a década de 1930

Britisches Museum, A History of the World in 100 Objects, Nr. 47: Helm von Sutton Hoo ..

Sutton Hoo e a Europa 300-1100 C.E., Galeria Sir Paul e Lady Ruddock © Os Curadores do Museu Britânico Os tesouros anglo-saxões mais famosos do Museu vêm do cemitério de Sutton Hoo em Suffolk. Aqui misteriosos montes de grama cobriam uma série de túmulos antigos Sutton Hoo e Europa, 300 - 1100 DC Sala 41 (Galeria Sir Paul e Lady Ruddock) Imagens da exibição de artefatos anglo-saxões encontrados no cemitério do navio Sutton Hoo na Sala 41. Cada foto disponível para licenciar separadamente Sutton Hoo é um museu em Sutton Hoo ,. O museu apresenta exposições relacionadas a: arqueologia

Sutton Hoo Narrador: Daniel Evans Diretor: Lucie Donahu Hoje, o Sutton Hoo encontra-se no coração da recém-reaberta galeria Europa Medieval do Museu Britânico (Sala 41: Galeria Sir Paul e Lady Ruddock de Sutton Hoo e Europa, 300-1100 DC ), que foi totalmente remodelado para marcar o 75º aniversário da escavação. É uma mudança muito esperada, a curadora Dra. Sue Brunning disse anteriormente que este era um espaço mal iluminado, é sombrio. Sehenswürdigkeiten in der Nähe von Sutton Hoo: (0,36 km) Newborne Springs Nature Reserve (12,66 km) Tricky Escape Harwich (2,18 km) Bawdsey Radar Museum (7,53 km) Felixstowe Seafront Gardens (11,79 km) Harwich Redoubt Fort Sehen Sie sich alle Sehenswürd der Nähe von Sutton Hoo auf Tripadvisor an. O capacete Sutton Hoo é um capacete anglo-saxão decorado e ornamentado encontrado durante uma escavação em 1939 do cemitério de Sutton Hoo. Foi enterrado por volta de 625 e acredita-se que tenha pertencido ao rei Rædwald de East Anglia sua decoração elaborada pode ter dado a ele uma função secundária semelhante a uma coroa Sutton Hoo: Historisches Gräberfeld und Museum - Auf Tripadvisor finden Sie 1.387 Bewertungen von Reisenden, 496 Authentische Reisefotos und Top Angebote für Woodbridge, Reino Unido

Sutton Hoo - Wikipedi

  1. Sutton Hoo, près de Woodbridge (Suffolk, Royaume-Uni), est un site archéologique anglo-saxon où ont été mis au jour em 1939 un cimetière et un bateau funéraire datant du debut du VII e siècle .. Son âge, sa taille, sa richesse, sa beauté, sa rareté et son importante historique font de Sutton Hoo l'une des plus grandes découvertes archéologiques en Angleterre
  2. Sutton Hoo, nei pressi di Woodbridge (Suffolk, Regno Unito), é o sito di due cimiteri anglosassoni del VI e VII secolo, uno dei quali conteneva una nave funeraria completa di un gran numero di artefatti di elevato significativo archeologico and artistico .. Il ritrovamento de Sutton Hoo é de importância primária para os históricos do periodo alto-médio-português inglês, em quanto getta luce su un.
  3. Informações do museu Preços e descontos de ingressos para Sutton Hoo A visão geral a seguir lista os preços de admissão e vários descontos para uma visita a Sutton Hoo em Woodbridge
  4. Das British Museum stellt seine glitzernden Schätze aus dem Schiffsgrab von Sutton Hoo (um 600 n.Chr.) Em neuem Licht vor. Prächtig dekorierte Helme, Waffen und Schmuck aus dem 1939.
  5. Sutton Hoo, propriedade perto de Woodbridge, Suffolk, Inglaterra, que é o local de um cemitério medieval que inclui o túmulo ou cenotáfio de um rei anglo-saxão. O enterro, um dos mais ricos túmulos germânicos encontrados na Europa, continha um navio totalmente equipado para a vida após a morte (mas sem corpo) e iluminou a riqueza e os contatos dos primeiros reis anglo-saxões com sua descoberta, em 1939.
  6. Atrações perto de Sutton Hoo: (0,36 km) Newborne Springs Nature Reserve (2,18 km) Bawdsey Radar Museum (12,66 km) Tricky Escape Harwich (7,53 km) Felixstowe Seafront Gardens (11,79 km) Harwich Redoubt Veja todas as atrações perto de Sutton Hoo no TripAdvisor

, cerca de 1.400 anos depois de ter sido enterrado, é a peça central da exposição do enterro de Sutton Hoo no Museu Britânico - um testemunho notável do poder anglo-saxão e habilidade artística que Sutton Hoo e Staffordshire Hoard descobriram que serão exibidos juntos em uma nova exposição

Sutton Hoo - The Association for Suffolk Museums

  1. Sutton Hoo banco de imagens e pesquisa de imagens. Visualize e compre fotos de arquivo royalty free e rights-managed no British Museum Images. Esta é apenas uma amostra das imagens que disponibilizamos no nosso site. Para ver uma seleção maior, insira uma pesquisa por palavra-chave dentro do campo de pesquisa acima. Imagens. Imagens. Menu / Imagens. Imagens. Imagens. Menu Criar conta. Faça login. Ajuda. Navegue pelas coleções. O britânico.
  2. Sutton Hoo está passando por uma grande reformulação após uma concessão de £ 4 milhões para atualizar e melhorar o site, particularmente as instalações interpretativas e de visualização. Como sempre quis visitar depois de ver os achados no Museu Britânico, uma viagem a Suffolk significava que estávamos na posição ideal para fazê-lo. Foi um dia muito frio com ventos fortes, mas não deixamos que isso nos detivesse, e nós também.
  3. R.L.S. Bruce-Mitford The Sutton Hoo Ship Burial (British Museum Press, 3 Vols: 1975, 1978, 1983) e I Longworth e I Kinnes Sutton Hoo Excavations 1966, 1968-70 (British Museum Occasional Paper No. 23, 1980), e um o volume de resumo é AC Evans The Sutton Hoo Ship Burial (British Museum Press, 1986). Os resultados da campanha de pesquisa de 1983-2001 são publicados como: MOH Carver Sutton Hoo. UMA.

Sutton Hoo refere-se ao local do enterro de um navio anglo-saxão (século 7) em Suffolk, que foi escavado pela primeira vez em 1939. O local produziu alguns dos objetos mais raros e valiosos já descobertos do período anglo-saxão que Sutton Hoo é o local de dois cemitérios do século VI e início do século VII. Um cemitério continha um cemitério de navio intacto, incluindo uma riqueza de artefatos anglo-saxões de notável significado histórico-artístico e arqueológico, a maioria dos quais agora estão no Museu Britânico em Londres. O site está sob os cuidados do National Trust

Sutton Hoo é o local de dezoito túmulos anglo-saxões e o local da descoberta de uma enorme coleção de artefatos anglo-saxões. O local foi descoberto em 1939 depois que um proprietário de terras local, Edith Pretty, pediu a Basil Brown, um arqueólogo do Museu de Ipswich, para investigar os túmulos em sua propriedade. museu é um pouco bobo, no entanto, como tudo são réplicas e você contorna o museu muito rapidamente. No geral, eu recomendaria, embora se levar crianças pequenas ou idosos, esteja ciente de como alguns dos terrenos são íngremes! Data da experiência: setembro de 2018. Pergunte ao neo32018 sobre Sutton Hoo. Obrigado, neo32018. Esta avaliação representa a opinião subjetiva de um membro do TripAdvisor e não de. Sutton Hoo revelado Em 1938, a Sra. Edith Pretty, dona da propriedade Sutton Hoo, convidou o arqueólogo local Basil Brown para escavar um grupo de montes baixos de grama à beira de um penhasco de 30 metros de altura acima do estuário Deben em Suffolk, Inglaterra. Ele cavou Mound 2 em sua primeira temporada, descobrindo um túmulo de navio anglo-saxão roubado. Ele então foi convidado a cavar o Monte 1 no ano seguinte. A descoberta de.

Cetro do navio-enterro em Sutton Hoo 600/650. British Museum Londres, Reino Unido. Este curioso objeto é um dos objetos mais extraordinários que sobreviveram do período anglo-saxão. É uma enorme pedra de amolar de quatro lados, habilmente esculpida em uma pedra dura de granulação fina para dar uma superfície perfeitamente lisa. Pedras de amolar eram ferramentas usadas para afiar facas e lâminas de armas, mas esta aqui. O capacete Sutton Hoo é um dos achados anglo-saxões mais importantes de todos os tempos. Foi enterrado no túmulo de um chefe guerreiro. Ao lado dele havia uma vasta gama de armamentos e um de 27 metros de comprimento.

Oitenta anos (e mais) de Sutton Hoo - Museu Britânico

  • O enterro do navio Sutton Hoo. Este é o item atualmente selecionado. Sutton Hoo navio enterro. Prática: Sutton Hoo navio enterro (questionário) Fíbulas. Prática: Fíbulas (questionário) Próxima lição. Teste seus conhecimentos da arte medieval. Classificar por: Mais votados. A tampa da bolsa Sutton Hoo. Sutton Hoo navio enterro. A seguir. Sutton Hoo navio enterro. Nossa missão é fornecer educação gratuita e de nível mundial para qualquer pessoa.
  • O Museu Britânico - Sutton Hoo e Europa / Londres mehr. Museu Marítimo Nacional - Galeria Naval / Londres mehr. Museu Fabergé / St.Petersburg mehr. Museu Kunsthistorisches - Kunstkammer / Wien mehr. Mary Rose Museum / Portsmouth mehr. MIM Museum / Beirut mehr. Sberbank da Rússia / São Petersburgo.
  • Sutton Hoo é o nome de uma área espalhada ao longo da margem do rio Deben, em frente ao porto da cidade de Woodbridge. O cemitério fica ao sul de Woodbridge. (5 votos) Ver mais 1 repl
  • Este livro explica como ele foi descoberto junto com outros tesouros inestimáveis, incluindo um navio no grande monte em Sutton Hoo, Suffolk, pelo arqueólogo Basil Brown no final dos anos 1930. Ele foi contratado pela proprietária da propriedade, Sra. Edith Pretty, que generosamente doou todo o achado ao Museu Britânico. Após uma reconstrução meticulosa, os especialistas foram capazes de comparar isso, muito raro.
  • Em 1939, uma série de montes em Sutton Hoo, na Inglaterra, revelou seu conteúdo surpreendente: os restos de um navio funerário anglo-saxão e um enorme depósito de tesouros reais do século VII
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  • Em minha última visita, recebi um visitante especial de Norfolk que sempre quis ver a coleção Sutton Hoo no museu. Se você nunca ouviu falar de Sutton Hoo antes, eu também não, até que meu amigo falava sobre isso com entusiasmo sempre que falava em visitar Londres. Para aqueles que não sabem, Sutton Hoo é o local de dois cemitérios do século 6 e do início do 7, perto de Suffolk, a.

Coleção Sutton Hoo National Trust

O novo filme de Sutton Hoo, chamado The Dig, que deve ser lançado na Netflix, vai contar a verdadeira história por trás de uma das maiores descobertas arqueológicas da Grã-Bretanha. Ele dramatiza a escavação em Sutton Hoo, na Inglaterra, que mudou nossa compreensão da história da Europa na Idade das Trevas. Também abordará uma injustiça de décadas e, finalmente, dará crédito ao amador. No capacete Sutton Hoo, a tonalidade prateada da superfície original estanhada do painel ainda pode ser vista em uma parte do fundo do guerreiro com capacete (Painel DB). Em geral, a superfície original do bronze estanhado mudou para uma de sais de cobre e estanho, manchada com ferro. Sua cor média atual é um marrom enferrujado. O Museu do Mundo - uma experiência interativa através do tempo, continentes e culturas, apresentando alguns dos objetos mais fascinantes da história humana. O projeto é uma parceria entre o British Museum e o Google Cultural Institute. Pela primeira vez, descubra objetos da coleção do Museu Britânico desde a pré-história até o presente usando o mais avançado WebGL (Web. Sutton Hoo é justamente famoso como uma das maiores descobertas arqueológicas da Europa. O sepultamento de um rei anglo-saxão em um oceano O navio em viagem, acompanhado por uma riqueza fabulosa, surpreendeu o público e os estudiosos quando escavado em 1939

Este capacete extraordinário é muito raro. Apenas quatro capacetes completos são conhecidos na Inglaterra anglo-saxônica: em Sutton Hoo, Benty Grange, Wollaston e York. The .. The Sutton Hoo Ship excavation 1939 (c) Curadores do Museu Britânico. A equipe construirá o navio saxão usando métodos de construção naval autênticos com a ajuda de arqueólogos marinhos, arquitetos de navios, construtores navais e especialistas em trabalho com madeira verde. Juntamente com o forte apoio acadêmico das Universidades de York e Southampton, a equipe garantirá que registros detalhados sejam mantidos em cada estágio. O tesouro espetacular # SuttonHoo foi desenterrado # neste dia em 1939 - uma das descobertas arqueológicas mais significativas já feitas no Reino Unido! Descoberto no leste da Inglaterra, o local foi provavelmente o sepultamento de um rei anglo-saxão e continha trabalhos em metal e joias meticulosamente trabalhados. O capacete Sutton Hoo, do início do século 7, capacete de liga de ferro e cobre estanhado, consistindo de muitas peças de ferro, agora construído em uma reconstrução, 31,8 x 21,5 cm (conforme restaurado) (Museu Britânico) (foto: Steven Zucker, CC BY-NC-SA 2.0 O capacete Sutton Hoo é um capacete anglo-saxão decorado e ornamentado encontrado durante uma escavação de 1939 em o navio-enterro Sutton Hoo. Foi enterrado por volta de 625 e acredita-se que tenha pertencido ao rei Rædwald de East Anglia Reis Leder Buch Tasche Keltische Kunst Eisenzeit Tätowierungen Skulpturen Alte Kunst Juwele

O Sutton Hoo Ship Burial é um dos maiores tesouros já encontrados na Inglaterra. Com mais de 1.300 anos, ele lança luz sobre os mitos e lendas durante o período que se seguiu ao colapso do Império Romano. O Sutton Hoo Ship Burial foi descoberto em Suffolk, East Anglia, e é o local de dois cemitérios dos séculos 6 e 7, Sala 41. Museu Britânico na Great Russell Street, Londres. Esta galeria no andar superior é dedicada a Sutton Hoo e a Europa, de 300 a 1100 DC

O enterro do navio anglo-saxão no Museu Britânico Sutton Hoo

  1. A maneira mais barata de ir do Museu de História Natural a Sutton Hoo custa apenas £ 19, e a maneira mais rápida leva apenas 1h30. Encontre a opção de viagem que melhor se adapta a você
  2. Sobre Sutton Hoo Endereço: Tranmer House, Sutton Hoo, Woodbridge, East Anglia, Suffolk, Inglaterra, IP12 3DJ Tipo de atração: Sítio pré-histórico Localização: Na B1083 entre Melton e Bawdsey. Site: Sutton Hoo Email: [email protected] Mapa de localização OS: TM288491 Crédito da foto: David Ross and Britain Expres
  3. 24 de agosto de 2017 - Explore o painel Sutton Hoo de Mary (Mimi) Embree no Pinterest. Veja mais ideias sobre Sutton hoo, Anglo saxon, Saxon
  4. Museu Britânico Sutton Hoo Tesouro Capacete de Sutton Hoo. A réplica do capacete e da máscara fazem parte do Sutton Hoo Treasure (Wiki), com mais informações no Sutton Hoo Site. A descoberta original está mais abaixo, junto com mais artefatos da antiguidade. O Museu. O Museu Britânico (para detalhes, admissão e localização) é provavelmente o maior do Reino Unido e contém artefatos de todo o mundo.
  5. As descobertas em Sutton Hoo mudaram as visões dos historiadores sobre o período anglo-saxão, que havia sido considerado uma Idade das Trevas após o fim da Grã-Bretanha romana. A partir de. Burial Mound 1, Sutton Hoo, Suffolk, Inglaterra. Encontro. 600 AD - 650. Cultura. Anglo-saxão. Material. ferro com placas de bronze cobertas de estanho, bronze dourado, granadas. Dimensões. altura: 31,8 cm largura: 21,5 cm circunferência: 74,6 cm.
  6. Sutton Hoo fica a 11 milhas a nordeste de Ipswich, na saída da B1083. Ingressos e passeios. Normandia British D-DAY Sites - Sword Beach e Hilmann Bunker Tour de meio dia. $ 79,92. para cima. Detalhes . Mais ingressos e passeios. Detalhes. perto de Woodbridge. 01394-389700. Visite o site. Horário de funcionamento: 10h30 às 17h Fev a Set, às 16h Sáb e Dom Jan. Preço: adulto / criança £ 8,90 / 4,50. O enorme esforço que foi feito para o enterro de Raedwald dá alguma coisa.
  7. Meu grupo gostou da visita a Sutton Hoo. Vim aqui há cerca de vinte anos, quando o local tinha um monte de terra e belas vistas. Agora tem um centro de visitantes, mas quase todos os artefatos foram removidos e estão no Museu Britânico. Isso pode ser injusto, mas não vejo sentido

Horários de abertura Sutton Hoo National Trus

No entanto, Sutton Hoo exibirá alguns itens encontrados durante uma escavação de 1991. Uma torre de observação de 17 metros está sendo construída e será inaugurada em setembro. Tópico relacionado 23 de setembro de 2016 - Explorar o quadro de Mark Sanders Sutton Hoo Reproductions no Pinterest. Veja mais ideias sobre Sutton hoo, anglo-saxão, saxão Como contribuição deste mês para a minissérie de 'grandes escavações', volto minha atenção para um 'grande' projeto de arqueologia anglo-saxônica: Sutton Hoo em Suffolk. O local é um dos mais conhecidos do país graças à impressionante variedade de sepulturas de alto status recuperadas durante as escavações de 1939 e exibidas no Museu Britânico desde o final dos anos 1940 3 de julho de 2013 - Sutton Hoo Mais informações Ceremonial Mask of Sutton Hoo: Sutton Hoo, perto de Woodbridge, em Suffolk, Inglaterra, é o local de dois cemitérios dos séculos 6 e 7 Sutton Hoo Sutton Hoo, em Sutton perto de Woodbridge, em Suffolk, Inglaterra, é o local de dois cemitérios medievais antigos, dos séculos 6 a 7. Os arqueólogos têm escavado a área desde 1930

Atrações próximas a Sutton Hoo: (0,22 mi) Newborne Springs Nature Reserve (7,91 mi) Tricky Escape Harwich (1,36 mi) Bawdsey Radar Museum (4,71 mi) Felixstowe Seafront Gardens (7,37 mi) Harwich Redoubt Ver todas as atrações perto de Sutton Hoo no TripAdvisor Sutton Hoo Helm, Zimmer 41 British Museum, Londres, Reino Unido. Die angelsächsischen Helm und Maske aus der Sutton Hoo Schatz, 7. Artista: Unbekannt Sutton Hoo Maske Anglo Saxon Sutton Hoo Helm Suffolk, große skulpturale Replik eines Angelsächsischen Helm über dem Eingang zum Sutton Hoo Visitor Centre, Suffolk Reino Unido. Das British Museum, Londres, Inglaterra. 9-2013 Sutton Hoo Anglo Saxon. O Capacete Sutton Hoo (Objetos em Foco no Museu Britânico) Sonja Marzinzik. 4,6 von 5 Sternen 3. Taschenbuch. 6,50 € The Staffordshire Hoard Kevin Leahy. 4,3 von 5 Sternen 37. Taschenbuch. 7,50 € Carver, M: Sutton Hoo Story - Encontros com o início da Inglaterra Martin Carver. 4,6 von 5 Sternen 7. Taschenbuch. 24,00 € Weiter. Kunden haben sich auch diese Produkte angesehen. Seite 1 de 1 Zum.

Helm von Sutton Hoo - Wikipedi

  • Sutton Hoo estas alta krutaĵo sobre a maldekstra bordo de rivero Deben, ĉ. 7 mejlojn de la maro. Oni malkovris entombigajn altaĵojn tie, kaj jam prirabis ilin ekde 1601.Oni priserĉis la areon per modernaj arkeologiaj ekzamenaj metodoj en 1938 akj en 1939 kaj oni malkovris la ŝipan entombigon de Sutton Hoo. Pli postaj elfosaĵoj okazis fine de la 1960-aj jaroj kaj inter 1986 kaj 1992
  • Título: Fecho de ombro do enterro do navio em Sutton Hoo Local: Museu Britânico, Londres, Reino Unido Dimensões Físicas: Fechos de ombro em vidro azul, tabuleiro de xadrez.
  • O Museu Britânico Sutton Hoo e a Europa 300-1100 DC Londres O Museu Britânico de Londres é certamente um dos museus culturais e históricos mais renomados do mundo. O tema principal da Galeria 41 é o túmulo do navio anglo-saxão de Sutton Hoo em Suffolk, uma descoberta espetacular e importante da arqueologia britânica. Para esta exposição recém-projetada, que reabriu em 2014.

Sutton Hoo, um tesouro anglo-saxão coletado em

  • A SOCIEDADE SUTTON HOO, uma instituição de caridade registrada, foi formada para apoiar o trabalho do Sutton Hoo Research Project (diretor Prof. Martin Carver, University of York). Uma escavação arqueológica e um programa de pesquisa foi realizado entre 1983 e 1992. Parte do papel inicial da Sociedade era guiar os visitantes durante a escavação. Entre 1992 e 2001, o SHS continuou a zelar pelo local.
  • Uma das descobertas arqueológicas mais importantes da Grã-Bretanha foi transformada em uma reforma de £ 4 milhões. Acredita-se que o cemitério de Sutton Hoo em Suffolk seja o local onde o rei Raedwald está enterrado
  • Angelsächsischer Helm von Sutton Hoo Die archäologische Ausgrabungsstätte von Sutton Hoo im portugiesischen East Anglia umfasst zahlreiche Grabhügel, darunter das berühmte Schiffsgrab, aus dem bem Jahre 1939berkenswert wert gutare gutare gutare, kr. Die bekanntesten Funde aus diesem Grab dürften die goldene Prachtschnalle (Great Gold Buckle) und.
  • Bettany visita Sutton Hoo em Suffolk para montar um perfil do misterioso rei que foi enterrado no mundialmente famoso cemitério anglo-saxão. Um forte contendor foi o rei Raedwald, que era importante o suficiente para justificar um enterro VIP. Bettany lida com réplicas feitas por mestres dos tesouros 'Mound 1' (os originais estão agora no Museu Britânico) com a pesquisadora Laura Howarth e aprende.
  • Como chegou ao Museu Britânico? O enterro de Sutton Hoo foi descoberto pelo arqueólogo Basil Brown em 1939 ao escavar o maior dos 18 montes em uma propriedade de Suffolk. Quando encontrado, o capacete havia sido esmagado pelo colapso do monte e estava em 500 pedaços. Restaurado pela primeira vez em 1947, foi desmontado e remontado em 1968 com base em pesquisas disponíveis posteriormente. Foi quando o.
  • Em Sutton Hoo, as colheres estavam intimamente associadas a um conjunto de tigelas de prata com uma decoração cruciforme e eram colocadas perto do lado direito da posição que deveria ser ocupada pela cabeça do falecido. R. L. S. Bruce Mitford do Museu Britânico (Proceedings of the Suffolk Institute of Archaeology, Vol. XXV, 1949) ,.

Sutton Hoo Ship Burial - Smarthistor

  • Das British Museum stellt seine glitzernden Schätze aus dem Schiffsgrab von Sutton Hoo (um 600 n.Chr.) Em neuem Licht vor. Prächtig dekorierte Helme, Waffen und ..
  • Em Sutton Hoo, isso inclui contar as histórias notáveis ​​não apenas de Raedwald, o rei do século sétimo que mais se acredita ter sido enterrado com o tesouro, mas também da descoberta.
  • Sutton Hoo, incluindo paisagismo e estradas de acesso, um estacionamento, espaço para exposições e interpretação no local. n O objetivo principal era tornar a história e a pesquisa acadêmica em Sutton Hoo, um local de importância arqueológica excepcional, acessível ao público por meio da criação de uma nova exposição importante. Isso complementaria a exibição de objetos no Museu Britânico e aumentaria muito o.

A recente reexibição das descobertas de Sutton Hoo no Museu Britânico mostra os objetos familiares aos visitantes frequentes em um novo cenário e com uma nova interpretação. O que mais gostei na reexibição foi o contexto dado às descobertas. A vitrine é longa e alta com o contorno de um navio em branco. A foto mostra que isso é fraco, mas ajuda a lembrar os visitantes de que os objetos vêm de a. O tesouro arqueológico mais famoso da Grã-Bretanha, os artefatos de Sutton Hoo encantam os visitantes do Museu Britânico há oitenta anos. Para muitos, o icônico capacete Sutton Hoo passou a simbolizar a Inglaterra na época do Rei Arthur. The Institute for Digital Archaeology, in collaboration with the Sutton Hoo Ship's Company, will bring the Sutton Hoo burial ship back to life through an.

Sutton Hoo treasure display The British Museum Image

  • gham University Field Archaeology unit), is appointed by Sutton Hoo Research Trust to direct the new Sutton Hoo project. 1 983 March: Sutton Hoo exhibition opens at Woodbridge Museum
  • image caption One of the greatest finds at the Sutton Hoo boat burial is this warrior's helmet, which is kept at the British Museum in London. The remains of the royal burial ship were first.
  • I loved Sutton Hoo when I visited it, especially as the British Museum had lent a load of beautiful artifacts to the visitor centre for an exhibition. I visited with my mother years ago and I don't believe Tranmer House was open for visitors then - at least, we didn't go there. I have since seen the treasures at the British Museum but there isn't the same magic about them, so far away.
  • Many of the finds from Sutton Hoo were donated by the landowner to the British Museum, but some of these will be returning for the exhibition alongside the Staffordshire Hoard. Visitors will be able to see all of the exhibits in the exhibition hall, as well as visit the new display about Sutton Hoo, which includes a mixture of original pieces and reconstructions. A visit to the site also.
  • . Associate Professor of Neurology and lover of the Cradle of Civilization, Mesopotamia. I'm very interested in Mesopotamian history and always try to take photos of archaeological sites and artifacts.
  • Sutton Hoo Helmet at the British Museum. A 2016 study found that a black carbon-based material found aboard the luxurious, 7th-century ship, buried at a site called Sutton Hoo in England, is bitumen - an organic, petroleum-based asphalt that is found only in the Middle East. The Anglo-Saxon ship buried in honor of a 7th-century monarch carried the rare, tar-like material. The ship's burial.

Sutton Hoo (Woodbridge) - Reviews & Visitor Information

Sutton Hoo is a hauntingly beautiful estate set in a whopping 255 acres with amazing views over the River Deben. It seems quiet but it's also home to one of the greatest archaeological discoveries in modern history Andere Wachen behaupten, sie hätten die Türen zur Sutton Hoo-Galerie verriegelt. Wenig später hätten sie dann wieder weit offen gestanden. Angeblich sollen Überwachungskameras den Spuk im. Sutton Hoo, Woodbridge: See 1,410 reviews, articles, and 512 photos of Sutton Hoo, ranked No.7 on Tripadvisor among 28 attractions in Woodbridge Perfekte Sutton Hoo Treasure Displayed At The British Museum Stock-Fotos und -Bilder sowie aktuelle Editorial-Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo sonst findet Sutton Hoo parade helmet (British Museum, restored). Although based on late Roman helmets of spangenhelm type, the immediate comparisons are with contemporary Vendel Age helmets from eastern Sweden. Sutton Hoo, (grid reference TM288487) near Woodbridge, Suffolk, is the site of two Anglo-Saxon cemeteries of the 6th and early 7th centuries, one of which contained an undisturbed ship burial.

Sutton Hoo - Masterpieces of the British Museum - BBC

The most famous Anglo-Saxon treasures in the Museum come from the Sutton Hoo burial site in Suffolk. Here mysterious grassy mounds covered a number of ancient graves. In one particular grave, belonging to an important Anglo-Saxon warrior, some astonishing objects were buried, but there is little in the grave to make it clear who was buried there. Sutton Hoo. The Sutton Hoo ship excavation in. The British Museum is famous for its huge collection of artifacts. The invaluable Anglo-Saxon treasures that you could find in this museum came from the burial site of Sutton Hoo in Suffolk. Many ancient graves lie hidden in the grassy lands of Sutton Hoo, and one of the graves here belonged to an Anglo-Saxon warrior. A lot of impressive. Sutton Hoo View full image Letter from an official at the Department of British Medieval Antiquities at the British Museum to the Inspector of Ancient Monuments, 8th June 1939 (WORK 14/2146 Sutton Hoo Helmet is one of The Legendary Artifacts, that can be stored and displayed at Museum. It can be received from a Legendary Artifact Chest. Sutton Hoo is a 7th-century burial site located in modern-day England. During the site's excavation, archeologists discovered an 89ft burial-ship containing untouched kingship relics, including the Sutton Hoo helmet. The helmet's face mask is a. Sutton Hoo by Woodbridge yn Suffolk, Ingelân, is it plak dêr't twa Angel-Saksyske begraafplakken út de 6e iuw en iere 7e iuw bleatlein binne yn 1939.Op ien dêrfan waard in noch net fersteurd skipsgrêf fûn mei in soad artefakten dy't fan grut keunsthystoarysk en archeologysk belang west hawwe.. De grêven binne dy fan de Angelsaksyske elite út dy tiid

Sutton Hoo at the British Museum - Current Archaeolog

Museum information The following overview lists the visiting hours for Sutton Hoo in Woodbridge . Please note that opening hours on special days or holidays may differ from what is displayed here Sutton Hoo Ship Burial, c. 700 (British Museum, London) Multiple bronze, gold and silver objects of Anglo Saxon origin, found in Suffolk, England, including: a helmet, sceptre, sword, hanging bowl, bowls and spoons, shoulder clasps, a belt buckle, and purse lid. Learn More on Smarthistor


Ammonite: The real life Mary Anning’s incredible dinosaur discoveries from the age of 12

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Ammonite: Kate Winslet and Saoirse Ronan star in trailer

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Back in January, film fans were fascinated by Netflix movie The Dig&rsquos portrayal of the real-life Sutton Hoo excavation and all the treasure discovered at the 7th century Anglo-Saxon ship&rsquos burial site. Ralph Fiennes&rsquo Basil Brown, who was once described as an amateur archaeologist due to being self-taught, was hired to work on what would be one of the most important archaeological discoveries of all time. And now new film Ammonite is inspired by the life of British palaeontologist Mary Anning, who similarly made incredible historical finds despite her lack of formal education in her own subject.

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Born in Lyme Regis on May 21, 1799, Mary&rsquos early life was marked by tragedy, after eight of her nine siblings died.

Growing up and living in relative poverty throughout her short life, Anning became world-famous for her Jurassic marine fossil bed discoveries in the cliffs along the English Channel at her birthplace in Dorset.

Her amazing geographical findings are some of the most important in history and their evidence contributed to big changes in scientific thought at the time regarding prehistoric life and the age of the Earth.

Incredibly, in 1811, the fossil collector and dealer was just 12-years-old when she discovered a 5.2m (17ft) skeleton, now known to be an ichthyosaur.

Ammonite: The real life Mary Anning&rsquos incredible dinosaur discoveries from the age of 12 (Image: LIONSGATE)

Kate Winslet at Mary Anning in Ammonite (Image: LIONSGATE)

CONSULTE MAIS INFORMAÇÃO

Later on, Anning would find the first complete skeleton of a plesiosaur, a marine reptile.

Additionally, she went on to discover the UK's first known remains of a pterosaur, believed to be the largest-ever flying animal.

For those interested, the palaeontologist&rsquos discoveries including the ichthyosaur, plesiosaur and pterosaur are on display in the National History Museum to this day.

Despite Anning making such ground-breaking finds, she was sadly not accepted by the scientific community in her lifetime.

Ammonite is available for premium rental at home on all digital platforms from March 26 (Image: LIONSGATE)

The Dig: Carey Mulligan stars in Netflix trailer

This was mainly due to early 19th-century attitudes towards her poor background, non-conformist Protestantism and, of course, her gender.

Even when Anning sold some of the fossils she found, they were often credited in museums under the names of men who had bought them off here.

She died of breast cancer on March 9, 1847, at the age of 47-years-old. Her much-deserved recognition and legacy have grown over the following two centuries.

Anning is buried at St Michael the Archangel Church in the town of her birth and work, Lyme Regis.

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Since Anning never married, and it's unknown if she had lovers, Francis Lee&rsquos new movie Ammonite follows a speculative romantic relationship between Winslet&rsquos palaeontologist and Ronan&rsquos Charlotte Murchison.

The latter was a real-life and contemporary British geologist alongside her husband Sir Roderick Murchison.

Ammonite&rsquos synopsis reads: &ldquoIn the 1840s, acclaimed self-taught palaeontologist Mary Anning works alone on the wild and brutal Southern English coastline of Lyme Regis.

&ldquoThe days of her famed discoveries behind her, she now hunts for common fossils to sell to rich tourists to support herself and her ailing widowed mother.&rdquo

Tendendo

The synopsis continues: &ldquoWhen one such tourist, Roderick Murchison, arrives in Lyme on the first leg of a European tour, he entrusts Mary with the care of his young wife Charlotte, who is recuperating from a personal tragedy.

&ldquoMary, whose life is a daily struggle on the poverty line, cannot afford to turn him down but, proud and relentlessly passionate about her work, she clashes with her unwanted guest. They are two women from utterly different worlds.

&ldquoYet despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realisation that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.&rdquo

Ammonite is available for premium rental at home on all digital platforms from March 26.


Thursday, October 25, 2018

The death of pots

Through huge swaths of the archaeological record we have pottery. It enters the record in the Neolithic, and marks the point where humans are able to make a stew (woven baskets carry water with difficulty and burn when held over a fire). They mark the transition to an agricultural economy, with storage of perishables and the making of beer.

The first thing Jaques Coustou noticed when he dove on the wrecks near “The Island of Rabbits” just beyond the harbor of Iraklion was amphorae. They are visible now in a nearby museum the jugs carrying Cretan wines and other trade goods. And you can tell, instantly, that you are looking at two different eras. The same transport jugs for most probably the same trade goods are distinctly 2nd century AD (enough that I was able to guess without seeing the museum placard first), and as distinctly a different era for a second ship (this one Byzantine).

The pottery forms the most distinct sequencing for most archaeology. Like tree rings it doesnt have an inherent date it has to be lined up by other methods, from carbon dates of the residue of a wine to the inclusion of a scarab bearing the name of a recorded Pharaoh in the assembage. This makes things interesting for the amatuer, as most of the literature will place an event or occupation or find within the context of the pottery culture “Proto-Geometric” or “Late Helladic phase II.” And of course there is constant adjustment and argument about where to stick these arbitrary demarkations, and how appropriate they are when applied to trading, polyglot, evolving cultures where pottery of numerous sequences may co-exist and be found in a single assemblage.

One is often tempted to draw too much from the pots. But like Herodotus, it is because that may be most of what we have. One can look back through the history of the field and recognize the way previous eras had viewed the artistic changes through their own lenses. It is too easy even today to reach for “brutal,” or “a crude copy of. ” when trying to describe a style. But what alternative do we have to applying our own aesthetic reaction? There are not (despite some valient attempts in the past) easy ways to create metrics for art.

As I strolled though the National I was presented with a series of galleries moving from Post-Mycenaean out to the full glory of the Attic. And if you look through other galleries you can go from Neolithic Cycladian pottery (which has odd similarties to the much, much later proto-gemometric), through Minoan and the rightly-celebrated Kameres Ware (which made its way to Egypt and Syria and the Greek Mainland), and then the Mycenaean transition. And, yes, my reaction is not untypical for the cultural preconceptions I live within that the first products of the Mycenae workshops were crude reproductions of the High Minoan. There was a Mycenae octopus that reminded me strikingly of anime art done by amatuer fans tracing the lines without understanding their purpose.

But this is reading intent that may not have been there. Aesthetic intents aside, these were mostly commercial productions and as a long-time theatre person I understand too well how market forces and practical constraints influence the final result. The one thing that is very distinct is when the Mycenae move in the art turns more bloody. The Minoans were fabulous at capturing the line of a bird in flight or a waving frond of sea lilly but the Mycenae were focused on the clash of wills and strength of limbs a focus on the athletic, martial body that has a visible culmination in the red-figure ware.

So, yes, you look at the proto-geometric and it hard not to think of art that has lost the equivalent of the guilds and academies and is reduced, first to crude attempts to continue, then gives up and goes for equally crude and terribly simplistic geometric scribbles. And then the geometric figures get more complicated and refinments like rulers come in, and what was an idea turns into an oppressive meme, the style taking over, until the entire pot is covered with obsessive tiny details. But in the background, the desire to do figure work is still there. At first all they can handle are silhouettes, and then they start scratching into the black silhouettes to describe muscles and cloth folds and other details in a sort of reverse cartooning.

But this is not fair. It is an impression I, a product of the classical Western art tradition, share with the Renaissance and later artists who celebrated most when their Greek idols came closest to realism. It might not have been until the turn of the century that a new apreciation (as part of that era’s Orientalizing phase), of the free-flowing styalization of the Minoan returned.

And here’s a little personal observation. I learned when trying to draw cartoons that the ruler is not the “better” or “more evolved” approach. A free-hand line has more life and looks better and often describes the world better. And is harder and takes more experience (experience with a ruler, even).

Well, these are very old discussions. Suffice to say that there are distinct changes and there are many fascinating socioogical ideas when can propose from them. And those exist because ceramics are constant and durable. Linear A and B exist for us now because the fires that swept through their respective civilizations baked the soft, malleable, ever-so-handy clay used to make tally marks into nearly indestructable ceramics.

And here’s the thing. At home, I drink from plastic. I cook with metal. My goods come in cans or, again, more plastic. Sure, there are some parallels plastic comes from a natural substance that is collected and processed. Except petroleum distilllates are a long distance from the clay of a river bank. Anyone can make clay. It takes a hell of a lot more than a village to make plastics it takes a large-scale industrial civilization.

Plastics last. Regretttably so. There is not a spot on the ocean today where you cant find some. But in what ways will plastics serve future generations of archaeologists?


A layer of early snow has graced the monumental Great Wall of China and although it looks stunning, people are struggling to walk along its now slippery surface.

China Daily Life - Weather

The star also revealed how his co-star Pedro Pascal had attempted to make light of the situation.

Damon revealed that Pascal said: &ldquo&lsquoYeah, we are guilty of whitewashing.

&ldquo&lsquoWe all know only the Chinese defended The Wall against the monster, [but]&hellipit was nice to react a little sarcastically &lsquocause we were wounded by it.

&ldquo&lsquoYou know, we do take that seriously. That&rsquos a serious thing.&rsquo&rdquo

Damon pointed out the film is a co-production between the US and China

Pascal himself added: &ldquoWe don&rsquot want people to be kept from work that they wouldn&rsquot have the opportunity otherwise to see it, [which] is very specifically Chinese.

&ldquoIt is a creature feature. It&rsquos a big, fantastical, popcorn entertainment movie, but it has a visual style that is very in its own way [Chinese].&rdquo

Damon also pointed out the film is a co-production between the US and China, with Chinese director Zhang Yimou.

The film&rsquos latest trailer gave more of a backstory to Damon&rsquos character, as a visitor from a far off land, rather than a Chinese part as some suspected.

The Great Wall is released in UK cinemas February 24, 2017.

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Victoria and Abdul: The young servant who scandalised the Queen’s court

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Judi Dench and Ali Fazal in Victoria and Abdul

Quando você se inscrever, usaremos as informações fornecidas para enviar-lhe esses boletins informativos. Sometimes they'll include recommendations for other related newsletters or services we offer. Our Privacy Notice explains more about how we use your data, and your rights. Você pode cancelar sua inscrição a qualquer momento.

Their habit of sharing daily private moments scandalised princes, prime ministers and potentates alike.

&ldquoI am so very fond of him,&rdquo Victoria wrote privately. &ldquoHe is so good and gentle and understanding all I want and is a real comfort to me.&rdquo

But more than a century later, the movie Victoria And Abdul, coming to screens in September, with Dame Judi Dench playing the Queen, finally blows the lid off her controversial and long-hidden affection for the man who became her most trusted companion.

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&ldquoQueen Victoria was very lonely, depressed and tired as she celebrated 50 years on the throne, and Abdul Karim re-invigorated her,&rdquo reveals Shrabani Basu, whose book Victoria And Abdul inspired the movie, which features Ali Fazal as the Queen&rsquos servant.

&ldquoThey grew very close. Abdul became her friend, teacher, confidante and adviser. There was an affection between them and the Royal Household hated it.&rdquo

The pair were worlds apart. The monarch of the British Empire and the Indian prison pharmacy assistant&rsquos son. Yet their extraordinary friendship is revealed in palace archives and Abdul&rsquos recently discovered journal, adding to the new edition of Basu&rsquos book, published last week.

&ldquoVictoria had been lonely since the deaths of her husband Prince Albert in 1861 and of her Scottish gillie John Brown in 1883. There was a void in the Queen&rsquos life when she met Abdul, who was sent as a gift from India to celebrate the Queen&rsquos Golden Jubilee in 1887.&rdquo

A handsome 24-year-old with a black beard, 6ft tall in scarlet tunic and white turban, Abdul was intended to be Victoria&rsquos orderly, catering to the needs of visiting Indian princes.

Queen Victoria and Abdul Karim in the Garden Cottage, Balmoral, 1890

Serving her breakfast at Windsor, Abdul knelt and kissed the Queen&rsquos feet and locked eyes with 68-year-old Victoria, who was smitten.

&ldquoHe was young and full of energy and charm, captivating Victoria with exotic tales of India, its festivals and rivalries between Hindus and Muslims,&rdquo says Basu. &ldquoHe told her stories of India&rsquos maharajas and Mughal emperors, of Indian history and his own observations.

&ldquoWithin months he was cooking her curries and, soon after, became her &lsquomunshi&rsquo, or teacher. She wanted to speak with maharajas in their native tongue and asked Abdul to teach her.&rdquo

Andul was &ldquoa very strict master and a perfect gentleman,&rdquo Victoria wrote. For 13 years she studied daily, learning to read, write and speak Urdu.

&ldquoVictoria felt Abdul understood her better than anyone and she trusted him completely,&rdquo says Basu. &ldquoThey discussed the most intimate details of their lives.&rdquo

She advised Abdul on pregnancy, childbirth and even his wife&rsquos gynaecological issues. Over time, the adoring Queen increased Abdul&rsquos responsibilities, making him her personal secretary, putting him in charge of her growing entourage of Indian servants, even taking him pheasant hunting.

Abdul&rsquos Isle of Wight house

Victoria was besotted &ndash some would say obsessed &ndash with Abdul, showering him with gifts.

&ldquoThe Queen gave him land in India, grand titles and honours, a cottage at each of her palaces and his own carriage on the royal train next to hers,&rdquo says Basu.

She gave him the grand title Munshi Hafiz Abdul Karim and there was no longer any question of him waiting tables. She seated him at events with the Royal Family and equerries &ndash not the servants.

When apart, Victoria wrote to Abdul every day, signing her letters &ldquoyour dearest friend&rdquo, &ldquoyour true friend&rdquo even &ldquoyour dearest mother&rdquo. In their later years together, Victoria signed in Urdu.

At Balmoral she gave him the room that had once belonged to John Brown, the much-loved gillie who was also the subject of wild rumours during his lifetime. And one winter she and Abdul spent the night alone in Balmoral&rsquos secluded Widow&rsquos House on the banks of Loch Muick where she had once hidden away with Brown.

Abdul also advised her on Indian politics and the woes of the Muslim minority, which drew Victoria increasingly into Indian politics, much to the chagrin of the prime minister and the Indian viceroy.

Abdul was the last person to see Victoria's body alone when she died in 1901

His rise in the palace was swift. Abdul was awarded the Eastern Star and made a Commander of the Victorian Order. Victoria had Abdul painted by royal portraitists, allowed him to carry a sword and wear his medals at Court. She also brought his wife and family to England.

She kept his photo beside her dressing table and common gossip held that they were lovers. But Victoria&rsquos affection toward &ldquoa mere servant&rdquo engendered loathing among her family and advisers.

&ldquoThe Royal Household abhorred Abdul, deeply suspicious of his influence over the Queen,&rdquo says Basu. &ldquoEveryone hated him, except for Victoria. She defended her &lsquodear munshi&rsquo relentlessly.&rdquo

Prime minister Lord Rosebery, the Prince of Wales, Princess Louise, Princess Beatrice and Prince Henry were among many expressing their dislike of Abdul to the Queen.

&ldquoThe Royal Household saw him as a foreigner and a commoner,&rdquo says Basu. &ldquoBut Victoria had none of the class snobbery of those around her, who were jealous of his relationship with the her.&rdquo

Royal physician Sir James Reid told Victoria that he had &ldquobeen questioned as to her sanity&rdquo. Victoria raged that her son Bertie &ndash later Edward VII &ndash and the Royal Household had all &ldquobehaved disgracefully&rdquo.

&ldquoShe wrote to Bertie, ordering him: &lsquoYou are to be courteous to the munshi and will respect him,&rsquo&rdquo says Basu. &ldquoVictoria enjoyed a fight and relished defending Abdul.&rdquo

Realising that Abdul may be ostracised by the Royal Household after her death, Victoria gifted him large landholdings in India. Her fears soon proved prescient. While Abdul was the last person to see her body alone when Victoria died in 1901, aged 81, at Osborne House in the Isle of Wight, and walked with the principal mourners at her funeral procession in Windsor, as the Queen feared, he was soon being victimised.


New Sutton Hoo Movie Rights the Wrongs of Archaeological Snobbery - History

Back in January, film fans were fascinated by Netflix movie The Dig’s portrayal of the real-life Sutton Hoo excavation and all the treasure discovered at the 7th century Anglo-Saxon ship’s burial site. Ralph Fiennes’ Basil Brown, who was once described as an amateur archaeologist due to being self-taught, was hired to work on what would be one of the most important archaeological discoveries of all time. And now new film Ammonite is inspired by the life of British palaeontologist Mary Anning, who similarly made incredible historical finds despite her lack of formal education in her own subject.

Born in Lyme Regis on May 21, 1799, Mary’s early life was marked by tragedy, after eight of her nine siblings died.

Growing up and living in relative poverty throughout her short life, Anning became world-famous for her Jurassic marine fossil bed discoveries in the cliffs along the English Channel at her birthplace in Dorset.

Her amazing geographical findings are some of the most important in history and their evidence contributed to big changes in scientific thought at the time regarding prehistoric life and the age of the Earth.

Incredibly, in 1811, the fossil collector and dealer was just 12-years-old when she discovered a 5.2m (17ft) skeleton, now known to be an ichthyosaur.

Later on, Anning would find the first complete skeleton of a plesiosaur, a marine reptile.

Additionally, she went on to discover the UK’s first known remains of a pterosaur, believed to be the largest-ever flying animal.

For those interested, the palaeontologist’s discoveries including the ichthyosaur, plesiosaur and pterosaur are on display in the National History Museum to this day.

Despite Anning making such ground-breaking finds, she was sadly not accepted by the scientific community in her lifetime.

Since Anning never married, and it’s unknown if she had lovers, Francis Lee’s new movie Ammonite follows a speculative romantic relationship between Winslet’s palaeontologist and Ronan’s Charlotte Murchison.

The latter was a real-life and contemporary British geologist alongside her husband Sir Roderick Murchison.

Ammonite’s synopsis reads: “In the 1840s, acclaimed self-taught palaeontologist Mary Anning works alone on the wild and brutal Southern English coastline of Lyme Regis.

“The days of her famed discoveries behind her, she now hunts for common fossils to sell to rich tourists to support herself and her ailing widowed mother.”

The synopsis continues: “When one such tourist, Roderick Murchison, arrives in Lyme on the first leg of a European tour, he entrusts Mary with the care of his young wife Charlotte, who is recuperating from a personal tragedy.

“Mary, whose life is a daily struggle on the poverty line, cannot afford to turn him down but, proud and relentlessly passionate about her work, she clashes with her unwanted guest. They are two women from utterly different worlds.

“Yet despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realisation that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.”

Ammonite is available for premium rental at home on all digital platforms from March 26.


Sutton Hoo

Anglo-Saxons are in the news. That may be a surprise. But which Anglo-Saxons? There are three different ways of answering the question:

1. Anglo-Saxons in history
2. Anglo-Saxons in American history
3. Anglo-Saxons in the culture wars.

In this blog, I wish to examine what has been happening in the last few weeks in an amazing confluence of actions including the media coverage.

ANGLO-SAXONS IN HISTORY

In the current issue of Arqueologia magazine, Laetitia La Follete, president of the Archaeological Institute of America, wrote her “From the President” column on “SUTTON HOO AND THE DIG.” Here is the opening paragraph:

Archaeology fans around the world got a treat early this year with the release of the Netflix movie The Dig. Focused on the discovery of the Sutton Hoo ship burial in Suffolk, England, on the eve of World War II, it tells the story of Mrs. Edith Pretty, a wealthy landowner who hired the polymath and self-taught archaeologist Basil Brown to excavate the mounds on her property. Once Brown realized he had found the remains of a ship, he and Pretty brought in a “dream team” of professionals, Peggy and Stuart Piggott among them, to methodically excavate Mound 1. The magnificent Anglo-Saxon royal ship burial and its opulent treasures that the team unearthed rewrote history. The finds’ glittering artistry, sophisticated design, and evidence of far-flung trade showed that the early seventh century in Britain was no Dark Ages.

The real Anglo-Saxons were a media phenomenon complete with a Netflix movie! La Follete announced in the column that in May she had interviewed Martin Carver, who oversaw the excavations from 1983-2005 under the auspices of the British Museum, the Society of Antiquaries and the BBC. Their mission: to give the site its context. What was a ship burial doing in seventh-cenury Suffolk: Why that? Why there? Why then? The interview was online so accessible to people around the world interested in Anglo-Saxons and/or archaeology. A second online lecture will be held June 24.

By coincidence, also in May a new book on the Anglo-Saxons was published.

The Anglo-Saxons: The Making of England: 410-1066 by Marc Morris

A quest for England’s origins

Sixteen hundred years ago, Britain left the Roman Empire and fell swiftly into ruin. Into this violent and unstable world came foreign invaders from across the sea, and established themselves as its new masters. The Anglo-Saxons traces the turbulent history of these people across the next six centuries. It explains how their earliest rulers fought relentlessly against each other for glory and supremacy. It explores how they abandoned their old gods for Christianity. It is a tale of famous figures like King Offa, Alfred the Great, and Edward the Confessor, but also features a host of lesser known characters. Through their remarkable careers we see how a new society, a new culture, and a single unified nation came into being.

Notice the timeframe: roughly from King Arthur to William the Conqueror, neither of whom was Anglo-Saxon. They are reminder of the presence of Celtics and Normans in England. One should add Vikings to the ethnic stew as well.

In an interview with Olivia Waxman, Tempo, medievalist Mary Rambran-Olin, an expert on race in early England, noted that even the early English did not call themselves Anglo-Saxons. The term developed in the 17 th century as England wanted an origin story for its new empire.

If one has a genuine interest in Anglo-Saxons, just in the month of May there was a movie, interviews with an archaeologist and medievalist, and a new book from which to choose.

ANGLO-SAXONS IN AMERICA HISTORY

In the aftermath of the culture war Anglo-Saxons (see below), Washington Post published an article (4/26/21) by historian L.D. Burnett entitled “In the U.S, (sic) praise for Anglo-Saxon heritage has always been about white supremacy: Before the Civil War, Anglo-Saxonism was touted to defend slavery and conquest.” Burnett decries the “sinister use of Anglo-Saxonism” as nothing new. She wrote that the commingling of Anglo-Saxon blood and Anglo-Saxon tradition in the early 19 th century was done in conjunction with the purported racial and intellectual superiority of White Americans.

Burnett researched the instances of newspaper usage of the term from 1800-1830 in the digitized newspaper database. The examples were few. “But between 1831 and 1840, the number of references to ‘Anglo-Saxon’ soared.” She attributes the dramatic increase first to the need of proslavery apologists contending with the moral and political pressure from the abolitionist movement. Second, she credits the increase due to the Texas war for independence which many Americans viewed in racial terms. Combined they led to an Anglo-Saxon racial manifest destiny to dominate the continent and the hemisphere. It was at this point that the designation of an ethnic group became divorced from its history and entered into the lexicon of American White racial superiority.

There is one slight flaw with this analysis of events in the 1830s. There is one event which she did not mention that calls into question her race-based interpretation. It can be summed up in two words:

IRISH CATHOLICS

Beginning in the 1830s, America experienced a demographic deluge by a people who were not considered to be white. The reaction by the English-speaking white people already here was much like the America First Caucus today. Here is an example from Samuel Morse (“Foreign Conspiracy against the Liberties of the United States,” 1835) prior to the invention of the telegraph when the Hudson Valley was being overrun by the wrong sorts of people:

Foreign immigrants are flocking to our shores in increased numbers, two thirds at least are Roman Catholics, and of the most ignorant classes, and thus pauperism and crime are alarmingly increased. . . . The great body of emigrants to this country are the hard-working, mentally neglected poor of Catholic countries in Europe, who have left a land where they were enslaved, for one of freedom. . . .[T]hey are not fitted to act with the judgment in the political affairs of their new country, like native citizens, educated from their infancy in the principles and habits of our institutions. Most of them are too ignorant to act at all for themselves, and expect to be guided wholly by others [the priests].

Morse’s ire against a supposed great papal conspiracy was, if not a majority opinion at the time, very popular. As always, the vote was the key:

we must have the [naturalization] law so amended that no FOREIGNER WHO MAY COME INTO THIS COUNTRY, AFTER THE PASSAGE OF THE NEW LAW, SHALL EVER BE ALLOWED EXERCISE THE ELECTIVE FRANCHISE. This alone meets evil in its fullest extent.

People define themselves in opposition to the “Other.” In the United States in the 1830s, the “Other” were the Irish Catholics and the true or real Americans were the Anglo-Saxon Protestants.

Again by coincidence, in May there was a new book out on the Irish in America: The Fires of Philadelphia: Citizen-Soldiers, Nativists, and the 1844 Riots Over the Soul of a Nation by Zachary M. Schrag.

In 1844 America was in a state of deep unrest, grappling with xenophobia, racial, and ethnic tension on a national scale that feels singular to our time, but echoes the earliest anti-immigrant sentiments of the country. In that year Philadelphia was set aflame by a group of Protestant ideologues — avowed nativists — who were seeking social and political power rallied by charisma and fear of the Irish immigrant menace.

For these men, it was Irish Catholics they claimed would upend morality and murder their neighbors, steal their jobs, and overturn democracy. The nativists burned Catholic churches, chased and beat people through the streets, and exchanged shots with a militia seeking to reinstate order. In the aftermath, the public debated both the militia’s use of force and the actions of the mob. Some of the most prominent nativists continued their rise to political power for a time, even reaching Congress.

The book is an account of the moment one of America’s founding cities turned on itself over the issue of immigration.

Schrag wrote about this in a blog for HNN in May, “In 1844, Nativist Protestants Burned Churches in the Name of Religious Liberty.” The subject of the Irish including before the 1830s was a three part series in New York Almanack by John Warren. One wonders how Burnett failed to mention the Irish in her column on the 1830s and why the Washington Post failed to catch such a glaring omission.

One final observation on the use of Anglo-Saxon before turning to the America First Caucus. During congressional debate over the 1924 Immigration Act, Senator Ellison DuRant Smith of South Carolina, said the following:

Thank God we have in America perhaps the largest percentage of any country in the world of the pure, unadulterated Anglo-Saxon stock certainly the greatest of any nation in the Nordic breed. It is for the preservation of that splendid stock that has characterized us that I would make this not an asylum for the oppressed of all countries, but a country to assimilate and perfect that splendid type of manhood that has made America the foremost Nation in her progress and in her power, and yet the youngest of all the nations.

In this immigration debate, Africans in America were not the issue. The Irish in America were not the issue either anymore. Instead the demographic deluge that was feared mainly was the people called ethnics from southern and eastern Europe. They were the new “Other” to be feared as Adam Server, O Atlantico, escreveu:

Nativists needed a way to explain why these immigrants—Polish, Russian, Greek, Italian, and Jewish—were distinct from earlier generations, and why their presence posed a danger.

AMERICA FIRST CAUCUS

Now we turn to the media sensation that launched the Anglo-Saxon “15 minutes” of media coverage, the America First Caucus. There are three obvious reasons why the simple-minded Anglo-Saxon Caucus was doomed from the start:

Kevin McCarthy
Rudy Giuliani
Jared Kushner.

Did you hear the one about an Irish, Italian, and Jew who attended an America First Caucus? Perhaps one should add Sean Hannity to the list.

True, identity politics includes white people, too, but even a shred of thinking would have revealed the fallacy of this particular effort. In addition at the very moment Democrats are finally starting to realize that they do not have a monopoly on the vote of non-European immigrants and that these people do not necessarily accept the all-race all-the-time emphasis of the Woke, the America First Caucus is politically counterproductive.

In summary, one cannot help but notice the differing coverages of the current Anglo-Saxon contretemps. One could choose from new books by scholars on the topic or watch a movie/interview. One could read responsible articles in atlântico e Tempo about Anglo-Saxons in America. Or one could partake a politically-corrected view of history in the Washington Post.

Bonus question: One hundred years from on a history test you are asked to explain why American nativists were not Native Americans without laughing. What would you write?